narrators

Donald Trump has begun assigning blame to political rivals and allies alike as the US midterm elections approach, according to CNN coverage drawing wide attention. The coverage suggests he is positioning narratives early to shape accountability for potential losses or gains, a familiar strategy in past election cycles. Observers are watching which figures and issues he targets as the vote nears.

Human rights laws are said to remain viable despite growing populist narratives that challenge them. Commentators argue that international human rights frameworks retain resilience and public support even as populist movements gain ground. Details of specific cases or arguments are not provided.

The Lowy Institute argues that talk of Canada being offered a form of EU 'associate membership' is misleading, framing it as the wrong way to understand Canada's relationship with Europe. The piece pushes back on suggestions that Canada could move toward closer institutional ties with the EU, contending this narrative misrepresents what such an arrangement would actually mean.

Liberal Currents has published a commentary arguing that efforts to build a better politics fail when they rest on a flawed reading of history. The piece contends that political projects, whether reformist or radical, lose legitimacy and effectiveness if their founding narratives misstate the past. It calls for more historically grounded thinking among those seeking political change.

The Bulletin of the Atomic Scientists has published an argument that fears of existential AI catastrophe rest on weak science, and that promoting those fears serves the commercial interests of major AI companies. The piece contends that doomsaying narratives can help large firms shape regulation and consolidate power, and it is drawing attention and debate among technology readers.

The Dark Gets In, a new film reviewed by Eye For Film, uses the true crime documentary format as a parody device to tell a sinister fictional story about a missing girl. The review highlights the film's satirical take on the genre's conventions while delivering a darker narrative, and it is screening as part of Beyond Fest.

The New York Times has published a review of 'The Rush,' the latest book by historian Nathaniel Philbrick. The book examines the American gold rush era, a recurring subject in Philbrick's narrative histories. The review is drawing attention from readers of history and nonfiction, adding to discussion of Philbrick's standing as a popular chronicler of formative episodes in American history.

The director of 'In The Heart of the South' is calling for Indigenous filmmakers to take control of narratives about their own communities, telling mainstream media "You've been telling our stories forever." The remarks frame the film as part of a broader push to shift representation in cinema and open the industry to Indigenous voices both behind and in front of the camera.