tech writers

Google is calling on the Hollywood film and television industry to overcome its fear of new technology, according to a New York Times report. The company's message comes amid ongoing industry anxiety over how tools like artificial intelligence could reshape filmmaking, writers' work and production jobs, making the push a flashpoint in the debate over tech's role in entertainment.

A developer has released Sarala, an open-source editor that lets users write Markdown through a visual, what-you-see-is-what-you-get interface instead of raw syntax. The tool is being showcased to the tech community, with readers discussing its approach to bridging plain-text Markdown and rich formatting for writers and developers.

Logitech has released new headphones that carry a high price but are designed to be repairable. The Verge highlighted the combination of premium cost and user-fixable construction, a notable stance in a market where most headphones are difficult to open or service. The story is drawing attention from consumers and tech writers interested in durability and the right-to-repair movement.

Movie TV Tech Geeks has published a list of the nine greatest fiction books written by screenwriters, shared under its books and comics coverage. The item nods to The Godfather, a famous example of fiction with strong screenwriting ties, and highlights how writers known for film and television scripts have also produced notable novels.

A tech writer describes running a locally hosted large language model on a nearly full SSD, asking it to identify files that could be safely deleted. The piece highlights a practical, off-cloud use of local AI: letting the model scan the drive and suggest disk cleanup targets, reflecting growing interest in running LLMs directly on personal hardware for everyday tasks.

A Spanish-language technology writer has published a long post exploring ways to step outside the reach of artificial intelligence. The piece describes turning to humble, analog technologies alongside simpler digital tools as alternatives to AI-saturated services. The post reflects a broader mood of resistance to AI being embedded in everyday software, with readers drawn to low-tech and self-hosted options as a way to keep control over their tools and data.

Aaron Sorkin says Donald Trump does not appear in 'The Social Reckoning', his follow-up to 'The Social Network', and has explained his reasoning for the omission. The writer-director's choice is drawing attention as the film revisits Facebook and the tech world at a moment when Trump and Silicon Valley are closely intertwined in public debate.