Cotton Queen

Sudan is drawing attention with Cotton Queen, a film that revisits the country's colonial-era cotton economy and connects it to a new generation of Sudanese cinema. The project is being discussed as part of a broader revival of Sudanese filmmaking, using history to reflect on identity, labour and the country's turbulent present.

Sudanese director Suzannah Mirghani's film Cotton Queen is drawing attention for telling a story of women's rights alongside the lasting scars of British colonialism in Sudan. The film centres on women in the cotton industry, linking historical exploitation to present-day struggles, and is being discussed as a notable voice from Sudanese cinema on the international stage.

Filmmaker Suzannah Mirghani says there are far too few films addressing Sudanese women, in an interview discussing culture and politics in her film Cotton Queen. She speaks about the lack of representation of Sudanese women's experiences on screen and how her work tries to address that gap, drawing attention to a Cinema largely overlooked by international audiences and film industries.

Filmmaker Suzannah Mirghani speaks about her film Cotton Queen, discussing how it weaves together Sudanese culture, politics and magic realism. In the interview she reflects on the ideas and influences behind the work, offering insight into her storytelling approach and the themes the film explores.

Filmmaker Suzannah Mirghani spoke about her film Cotton Queen and the state of Sudanese cinema, saying that 'cinema keeps that memory alive'. She reflected on the role of film in preserving Sudanese stories and cultural memory at a time when the country continues to face conflict and displacement, drawing attention to the resilience of its artistic community.