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Michael Rider
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- 1Michael Rider Closes Paris Fashion Week With Debut Message▼Trust the Thing That Moves You https://www.nytimes.com/2026/10/04/style/paris-fashion-week-michael-rider.html # Fashion
Michael Rider's show at Paris Fashion Week in October 2026 is drawing attention, with a New York Times piece under the headline "Trust the Thing That Moves You" examining his creative direction. The piece looks at how Rider is shaping his label's identity on one of fashion's biggest stages, and the article is being shared widely among fashion readers.
- 2Paris Review: Celine, Dries Van Noten, Comme des Garçons▼Paris Review: Celine, Dries Van Noten, Comme des Garçons https://www.nytimes.com/2026/10/04/style/celine-michael-rider-p
The New York Times has published a review of Paris Fashion Week covering shows from Celine, Dries Van Noten, and Comme des Garçons, with particular attention to Celine under Michael Rider. The piece assesses how the collections measured up during the season in Paris, and fashion watchers are weighing in on the verdicts across the three houses.
- 3Michael Rider's Celine show points to effortless glamour▼At Michael Rider’s latest Celine show, unexpected proportions, belts and styling choices pointed to a more effortless idea of glamour. Vanessa Friedman, chief fashion critic for The Times, explains. Read more: https://nyti.ms/4AP6jfl Video by Vanessa Friedman
Michael Rider presented his latest collection for Celine in Paris, and the show is drawing attention for its unexpected proportions, prominent use of belts and unconventional styling choices. New York Times chief fashion critic Vanessa Friedman argues the collection signals a more effortless idea of glamour for the French house, marking a notable direction in Rider's early tenure at the brand.
- 4Michael Rider Brings Optimism to Celine Spring 2027▼For Spring 2027, Celine’s Michael Rider Dresses Up in Optimism
Celine unveiled its Spring 2027 collection under creative director Michael Rider, with coverage centred on a deliberately optimistic, upbeat spirit in the clothes. Fashion observers are reading the show as a statement of mood and direction for the French house as Rider continues to put his own stamp on its identity.