intellectual property

Anthropic has ordered its AI assistant Claude to stop recreating video games, following reports that the chatbot could be prompted to produce playable clones of popular titles. The move comes amid ongoing pressure on AI companies over copyright and intellectual property, with games developers watching closely how AI firms handle reproductions of existing works.

An EU judge has ruled that AI-generated summaries may constitute copyright infringement, a decision with implications for how AI companies use published content. In related news, a photographer's copyright lawsuit against Uber Eats is proceeding, while Disney is experimenting with AI-generated lyric videos. Observers see the rulings as part of a broader legal reckoning over AI and intellectual property rights.

The estate of Michael Crichton, creator of ER, is suing the producers of HBO medical drama The Pitt, claiming the series infringes intellectual property. The Pitt stars Noah Wyle and shares a hospital setting with ER, the 1990s hit Crichton co-created, leading viewers to draw parallels. The suit could shape how much a new show can resemble its predecessor without legal consequences.

Anthropic has introduced new restrictions on its Claude AI assistant aimed at preventing it from being used to clone video games. Reports from tech outlets say the policy change is designed to stop users from prompting the chatbot to recreate copyrighted game mechanics, art or code. The move highlights growing tension between AI developers and the games industry over intellectual property.

Anthropic has released a minor update to its Claude AI assistant aimed at addressing the issue of video game cloning, where AI models are used to replicate or imitate games. The company's move comes amid ongoing debate over how AI tools should handle copyrighted game content and intellectual property. Details on exactly how the update changes Claude's behavior remain limited, and reaction so far is mostly limited to tech coverage.

Actor Sean Astin, president of the performers' union SAG-AFTRA, testified before Congress about artificial intelligence and intellectual property protections. His appearance highlights the entertainment industry's ongoing push for legal safeguards against unauthorized AI use of actors' likenesses, voices and creative work. Observers see it as part of a broader political fight over how US copyright law should address generative AI.

Axel Scheffler, the illustrator behind The Gruffalo, is considering legal action against artificial intelligence companies over the use of his artwork. The children's book artist says his illustrations have been used without permission to train AI systems, and he is exploring whether copyright law offers him recourse. The story has drawn attention in the UK, adding a prominent voice to the growing number of creatives challenging AI firms over intellectual property.

Anthropic has updated its Claude AI assistant to stop it from recreating existing video games, addressing copyright concerns around AI-generated clones. The restriction applies to copying specific titles, while users can still use Claude to help design original games or games within a particular genre. The move is being discussed as an example of AI companies tightening controls on intellectual property issues.

A legal commentary from the NYU Journal of Intellectual Property & Entertainment Law examines how copyright law must adapt as entertainment shifts from mass-produced blockbusters to bespoke, personalised content. It explores questions around ownership, authorship and licensing when media is generated or tailored for individual viewers, raising unresolved issues for creators, studios and platforms alike.

Anthropic's Claude Code coding assistant reportedly now declines requests to recreate existing video games, refusing to clone well-known titles when prompted by developers. The change has drawn attention from the gaming and developer communities, who use AI coding tools to build game prototypes and remakes. No official statement from Anthropic detailing the policy or its scope has been reported.

Capcom says it remains 'firmly committed' to expanding its intellectual properties into film and other media, even as the new Street Fighter movie shows a concerning performance in theaters. The publisher's statement signals it intends to continue its transmedia strategy despite the film's disappointing box office run, reassuring fans and investors that its broader expansion plans are not being scaled back.

Anthropic has moved to limit the use of its Claude chatbot for creating AI clones of video games, according to a report by The Verge. The company is tightening its usage policies amid growing concerns over developers using large language models to replicate existing games. The move reflects broader tensions in the gaming industry over generative AI and intellectual property.

The French educational programme DataGueule's fifth episode, 'Pirate mon amour', is circulating again online. The episode examines digital piracy, copyright and the way internet users share culture outside legal frameworks. Viewers on the decentralized network are resharing the piece, keeping DataGueule's critical take on intellectual property in circulation among French-speaking audiences.

Anthropic has updated Claude's usage restrictions to bar the AI assistant from recreating copyrighted or existing video games, a move aimed at reducing intellectual property disputes. The policy change is drawing attention among developers and gamers, some of whom have used the chatbot to build playable clones of popular titles. Supporters see it as a step toward safer AI use, while critics argue it limits creative experimentation.

Anthropic has added two sentences to the system instructions for its Claude Code coding tool, aiming to stop users from prompting the AI to reproduce cloned or copyrighted video game content. The small wording change is drawing attention because a couple of sentences in a system prompt can meaningfully alter what an AI coding assistant will build, and it highlights growing tension between AI coding tools and intellectual property in gaming.

Anthropic has introduced measures preventing its Claude AI assistant from being used to reverse-engineer video games. The move follows growing concerns about AI tools being used to copy or decompile game code and assets. Coverage from Mashable is drawing attention across tech and gaming communities, with debate ongoing over how AI companies should police misuse of their models against creative industries.

Anthropic has introduced new restrictions on its Claude AI assistant, reportedly to stop users from asking it to recreate Minecraft. The move signals the company tightening rules around cloning or reproducing existing games and copyrighted software using its chatbot. The story has drawn attention from gamers and AI watchers alike, as it raises questions about how far AI tools should go in reproducing existing intellectual property.

Anthropic has updated Claude Opus 5.5 and its Claude Code tool to prevent the AI from producing unauthorized remakes of commercial video games. The change aims to stop users from using the assistant to clone copyrighted titles. The move touches on ongoing debates about AI tools and intellectual property, and is drawing attention from developers and gaming communities.

The European Open Source Academy is running a training session on intellectual property rights and technology licenses, offering a refresher on open source licensing and patents. A participant noted uncertainty over whether a recording will be made available, and shared the event with law and webinar audiences across Europe.

Developers are using AI coding tools to build functional clones of Adobe's flagship software, raising questions about competition and intellectual property in the creative software market. The trend, described as 'vibe coding', allows AI to replicate major applications quickly, putting pressure on established companies like Adobe whose subscription-based products dominate design and creative work.

An adviser to the EU's top court has warned that AI chatbots could risk infringing copyright law. The opinion suggests chatbots generating or reproducing protected content may fall foul of intellectual property rules, adding to the ongoing legal debate in Europe over how copyright applies to AI systems and the data used to train them.

A question of ownership is being raised around AI-generated products: if artificial intelligence built a startup's core product, can the company claim to own it? The issue touches copyright and patent law, which traditionally require human authorship, leaving founders uncertain about protecting AI-assisted work, attracting investors, and defending intellectual property as AI tools become central to product development.

Anthropic has introduced new restrictions on its Claude AI assistant aimed at preventing the cloning of video games, according to a report by Digital Trends. The move reflects growing tension in the games industry over generative AI tools being used to replicate existing titles, and developers are watching closely to see how AI firms balance creative assistance against intellectual property protection.

A group of prominent entertainers, backed by Cate Blanchett, has filed a legal brief in the New York Times' lawsuit against OpenAI, according to Variety. The filing adds Hollywood weight to the newspaper's copyright case over the use of its articles to train AI models, signaling growing industry concern about generative AI and intellectual property.

Anthropic's Claude Code coding assistant can still build original games, but the company has moved to block it from reproducing copies of existing ones. The change is being read as an effort to curb outputs that imitate or clone other developers' games, balancing the tool's creative usefulness against copyright and intellectual property concerns in the fast-growing AI-assisted gaming space.

Indonesia's Deputy Minister of Creative Economy has highlighted the importance of intellectual property for micro, small and medium enterprises, urging creative businesses to register and protect their work. The message, issued through the Ministry of Creative Economy, frames IP protection as key to adding value and competitiveness for small players in Indonesia's creative sector.

Nintendo is bringing back The Legend of Zelda, a flagship franchise, in what is framed as a repeat of one of its most successful formulas. The story centres on the company leaning on its strongest intellectual property to drive sales, a move investors track through Nintendo's OTC-listed stock. The item is drawing attention from gaming and market watchers alike.

A legal ruling has found that the UPS logo does not qualify for copyright protection, according to a report by Business Insurance. The decision suggests the trademark's design failed to meet the originality threshold required for copyright status, leaving the shipping company with weaker protection over the emblem than it may have sought.

Anthropic has updated its guidelines so that Claude Code will no longer recreate existing video games, a popular use of the coding assistant. The change blocks users from asking the AI tool to build clones of copyrighted titles, tightening Anthropic's stance on intellectual property in AI-generated code. The move has drawn attention from developers and gamers who used the tool for such projects.

Anthropic's Claude chatbot has reportedly begun pushing back against users who ask it to recreate copyrighted video games, telling them to stop. The move highlights growing tension between AI assistants and intellectual property rights in gaming, as developers and rights holders grow increasingly concerned about AI-generated clones of popular titles.